Regina Cannot Explain It All


I'm Regina Small. I'm a writer and editor in NYC. I have a lot of opinions.


Interests include: sci-fi/fantasy, literature, summertime daydrinking, trying to be a better person, fancy manicures, philosophy, pictures for sad children, and the role of irony in the modern world. And fandom, of course.

I have another blog dedicated exclusively to science fiction/fantasy. Read it here.

Recent Tweets @reginasmall
Posts tagged "other blog"

smallgalaxies:

Have you tried turning it off and on again?

Let’s Get Serious For a Second

“Ghost in the Machine” serves the same function for Mulder that “Squeeze” served for Scully. Just as Scully confronted the career path she might have had, in the form of school chum and asshat ladder-climber Tom Colton, the re-entrance of Lamana into Mulder’s life signals a similar coming-to-terms. Mulder was once a brilliant (if eccentric) criminologist; he has all the natural aptitude at psychological profiling that a grunt like Lamana lacks. But Mulder doesn’t have Lamana’s conventionality and utter disinterest in the paranormal. Despite Lamana’s technical incompetence, he presents a more appealing figure to his superiors. Because even if Spooky Mulder can construct an insightful criminal profile, who wants to listen to that lunatic? 

But this — again like Scully and Colton — is where Lamana’s and Mulder’s goals diverge. Lamana craves a “win,” enough to steal Mulder’s notes, and enough to tail Brad Wilczek to Eurisko, wanting to catch him red-handed, rather than just arresting him on the “ample” evidence the bureau already has. Lamana doesn’t want to be metaphorically consigned to the basement, the way Mulder literally has. But Mulder seems to take a perverse pride in his outlaw status. (“Jerry wanted the 5th floor….I was gunning for a basement office with no heat or windows.”) Pinning some indirect blame for Samantha’s abduction on the government’s persistent cover-up of alien life is a way of shifting blame from his younger self, the boy who couldn’t move to save his sister. His bosses may be the thorn in his side, but his fight to expose them is the only thing keeping him from sliding into spiritual torpor. Martyrdom is what revs his engine. It’s a subtextual stretch, but one could even argue that Mulder might’ve left his notes out with the hope that something might happen to them. In fact, the entire X-Files project, overseen and manipulated by hostile forces, could be read as a way, not to uncover the truth, but to sustain and validate Mulder’s sense that he is not and never will be in control. Nothing could’ve saved Samantha, least of all her helpless brother, if the villainous Powers That Be commanded otherwise. So where Lamana desires victory, Mulder — in some sense — desires failure.

My other blog gets very nerdshares-blog about this episode of The X-Files.

smallgalaxies:

Kristi P. checked in to Macy’s

Me with Matt Smith of Doctor Who!!! Love that he’s doing his own Christmas shopping!

Um…is Matt Smith in NYC?! BRB, taking the rest of the week off…

Just reblogging myself, no worries.

smallgalaxies:

“When I die, I will haunt all your asses.” — Benjamin Franklin, drunk, possibly.

I’m going to be honest, you guys. “Shadows” is almost offensively boring.

So before we get to a lengthy plot summary, let’s talk about the most fun thing about “Shadows”: terrible fashions. Specifically the terrible fashions of Lauren Kyte, a lady who is being haunted by her ghost-boss…and an array of florals?

Is that a teal silk blouse and an odd and unflattering rose-patterned skirt? You bet. Also that glass plaque has just been moved by a ghost.

You know what’s better than one ugly floral? Two (mismatched) ugly florals! Bonus points if one is in the form of a faux-quilted purse.

I’m going to try to give Lauren a pass on these ensemble because it was the mid-90s and everyone fell in love with two things: 1) burgundy/cranberry and 2) vests. It was like everyone spontaneously realized that their upper rib cage needed more coverage and/or emphasis. Seriously, it was a thing.

Read More

Vests were a scourge of the 90s. Merely a fact.

smallgalaxies:

Absolutely need this in my life. (via The Kashiro Collective)

Let’s talk about this forever.

smallgalaxies:

Absolutely need this in my life. (via The Kashiro Collective)

Let’s talk about this forever.

smallgalaxies:


Mulder freezes. His entire body stiffens as he slowly turns back to face her. “This won’t bring her back,” Scully says, not because she’s tired and wants to home, or because she’s frustrated with cleaning up his messes (though she probably is), but because she is pained by his suffering. She does not yet love Mulder, but, per “Squeeze,” she has chosen him. She has had the prospect of a secure, respectable career-path dangled in front of her and refused it. We won’t see evidence of her Catholic faith quite yet, but if there is anything that can be called a more powerful guiding force for Scully than science, it is compassion. She has a profound belief in human connection. As in the pilot, where she entered Mulder’s hotel room half-clothed, frightened because of the strange marks on her back, she doesn’t shrink from personal intimacy, even if it requires her to be vulnerable. It is a stark contrast to Mulder, who is not merely running after his sister, but is also running away from everyone else. Though Samantha’s presence haunts this entire episode, he has not spoken her name once or referenced her at all. We have picked up on his thoughts of her only through Scully’s observations of him. He told Scully about Samantha in the pilot episode, sure, but then only after she had come to his room, his territory, requested his expertise, and was physically and psychically “naked” in front of him. He has not yet managed such a display of vulnerability. For a woman who is clearly so intelligent and accomplished, Dana Scully is remarkably, admirably unprideful.

I am so in love with everything this episode chooses to be. My full blog post is here, if such things interest you.

smallgalaxies:

Wait…What?

  • A lone police officer, who is just chilling in the woods where a bunch of teenagers have turned up dead, tells Mulder and Scully to skedaddle and issues some vague threats. Mulder and Scully share a knowing chuckle, keep their weapons aimed at him, and arrest him for obstructing a federal investigation and threatening federal agents. JUST KIDDING. They both meekly turn tail and get back in their car. Because…um, plotting? On this rewatch, I really did say out loud, “You’re…FBI agents? You don’t take orders from the local authorities since it’s been established this case is in your jurisdiction, I’m pretty sure?”

Okay, I only said that first part out loud but look what is happening on my other blog? Total insanity.

Did you guys know writing involves Googling photos and videos of wildly attractive actors? Today it does. 
nerdwrites:

I’ve started thinking more about one (secondary) character in particular, and in spite of the fact that this character is a shapeshifter who will change appearance many times during the book, this is what I keep imagining him* to look like. You might be thinking “Hey, wasn’t Keith Hamilton Cobb [pictured] on Gene Roddenberry’s Andromeda with Kevin Sorbo?” He was.
But my first introduction to Cobb (who, BTW, is a classically trained actor in addition to being one of the most beautiful men I’ve ever seen) was when he played Noah Keefer on All My Children. I’m trying to settle on what is essential for this character, and I loved Cobb’s ability to convey strength and vulnerability in literally the same instant. This is not hyperbole. It’s a cliche people lean on to describe good performances but check out this clip from a 1994 ep of AMC (ignore the scenery-chewing of the actor playing the drug dealer/rapist, which is, even by soap standards, pretty bad). Cobb’s role in Andromeda, a show I’ve never seen (but maybe should watch), was just a random factoid floating around in my brain and probably the only reason I thought about him (and Noah) in conjunction with this project.
(Unrelated but, Wicked fans, wouldn’t Cobb make an awesome Fiyero?)
—
*also “her” since shapeshifting will here include shifting sexes!

Did you guys know writing involves Googling photos and videos of wildly attractive actors? Today it does.

nerdwrites:

I’ve started thinking more about one (secondary) character in particular, and in spite of the fact that this character is a shapeshifter who will change appearance many times during the book, this is what I keep imagining him* to look like. You might be thinking “Hey, wasn’t Keith Hamilton Cobb [pictured] on Gene Roddenberry’s Andromeda with Kevin Sorbo?” He was.

But my first introduction to Cobb (who, BTW, is a classically trained actor in addition to being one of the most beautiful men I’ve ever seen) was when he played Noah Keefer on All My Children. I’m trying to settle on what is essential for this character, and I loved Cobb’s ability to convey strength and vulnerability in literally the same instant. This is not hyperbole. It’s a cliche people lean on to describe good performances but check out this clip from a 1994 ep of AMC (ignore the scenery-chewing of the actor playing the drug dealer/rapist, which is, even by soap standards, pretty bad). Cobb’s role in Andromeda, a show I’ve never seen (but maybe should watch), was just a random factoid floating around in my brain and probably the only reason I thought about him (and Noah) in conjunction with this project.

(Unrelated but, Wicked fans, wouldn’t Cobb make an awesome Fiyero?)

*also “her” since shapeshifting will here include shifting sexes!